Friday, March 21, 2014

Modern Art

Our day on modern art started out with an exercise in the classroom where students helped recreate Dancing Lesson using a modernist’s mindset, throwing out all previous notions that the piece has to accurately represent real life. The goal of a modernist is to express ideas and emotions through the distortion in their work. One of the things that draws me to modernist artwork is that it can often be ambiguous and relies on the viewer to use their imagination to determine what the piece means to them individually. This property of ambiguity also tends to show up in some of the films that I enjoy watching. Stanley Kubrick, considered by many to be the greatest filmmaker of all-time, strived for ambiguity in his films to provide depth and leave the viewer with a puzzle to figure out, hopefully with more than a single solution. If two people walk out of the theatre with different interpretations of what they saw, the film did its job of providing the viewer with an opportunity to have an interesting conversation on the car ride back home.


After the lecture, we went to the Peggy Guggenheim Collection to see Joan Miró’s adaption of Dancing Lesson in person as well as a bunch of other modernist paintings.


Dancing Lesson, Jan Steen
Dutch Interior, Joan Miro

One of my favorite paintings was Landscape with Red Spots, No. 2 because when I looked at the piece, my initial impulse was that I was looking at an ice cream sundae. Is that a tower in a mountain ridge or a straw among mounds of ice cream? Does that red spot in the center of the image have deeper religious meaning or is it the cherry on top?

Landscape with Red Spots, No. 2, Vasily Kandinsky

As a fan of the surreal short film, Un Chien Andalou (1929), by Luis Buñuel and Salvador Dalí, I was naturally excited when I found out we’d be seeing some of Dalí’s surrealist work. Our tour guide explained that in his sexually-charged Birth of Liquid Desires, we see a man who is simultaneously attractive and repulsive. Holes in the rock, including the one through which the naked male is sauntering, are apparently Freudian symbols of female private parts and the overall suggestion of penetration. Our guide noted that, in general, the surreal paintings on display often dealt with sexual content and dream-like impulses.

Birth of Liquid Desires, Salvador Dali

The Cubist painting below is interesting because it’s communicating principles of movement and velocity. It’s suggesting with transparency that this biker is traveling at a rapid pace. I thought this was a clever mechanism for displaying speed in an image, giving motion to the still.

At the Cycle-Race Track, Jean Metzinger

Thursday, March 20, 2014

Padova

This day was all about getting outside Venice to see another city in Italy: Padova (aka Padua). The sight of cars and rigid means of transportation was shocking after adapting to only seeing boats for 5 days. As a fan of train travel, I was in a way hoping the trip would be longer than 20 minutes, but I certainly couldn't complain about having more time in Padova! My favorite part about this city is that it hosts an 800 year old university famous for having had Galileo as one of its lecturers. If that fact was not impressive enough, this university also has one of the most unique graduation ceremonies of any college in Italy. Students graduate continuously throughout the year, so we had no problem witnessing several during our day trip.

Irene Carbone. Photo Credit - Amanda Mark
Antonio wearing a skirt, ready for his turn. Photo credit - Michael Peters

The graduates above are taking part in a public hazing tradition. Their friends got together and created a poster listing all of the embarrassing things the graduate did or said throughout their time at the university. Then, in public, the graduate, who shows up dressed in underwear or a silly costume, reads off everything on the poster. If they make a mistake they have to drink, and throughout the whole process their friends may squirt a water gun at them, throw food of them, crack eggs on their heads, or humiliate them in other ways.

Chants of "Dottore, dottore, dottore del buso del cul, vaffancul, vaffancul" from friends and family resonate throughout the streets during the ritual (https://www.youtube.com/watch?v=GvCbOEk6tGM). The title for MA/MFA/MD/MEd graduate students in Italy is Dottore (meaning Doctor). The public hazing we observed seemed to be mostly for Master's students, but apparently it gets even worse for students graduating with a PhD.

This tradition speaks volumes about how comfortable Italians are with public expression and their appreciation for the absurd. The relaxed laws on drinking publicly allow them to enjoy additional freedoms and live their lives with minimal worries.

Wednesday, March 19, 2014

Thick Description: Waiters, Venders, and Bartenders



In his famous essay about the Balinese cockfight, “Deep Play,” Geertz commences with the observation that “everyone ignored us in a way only a Balinese can do.” The exact opposite can be said about the Venetian waiter, vender, and bartender. Of course, it helps if you attempt to order in Italian. Your attempt can be using the single Italian phrase you learned that morning (prendo…), adapting what you already know into Italian (if you know Spanish go ahead and give that Spanitalian a shot), or even bits and pieces of French mixed with body gestures will do. In general, switch to English only as a last resort, and it’s more fun to put a foreign accent on that American dialect.

However, even with English, waiters, venders, and bartenders love to engage in small talk and entertain tourists:

THE WAITER
On my last night in Venice I went out with a group of four friends to Ostaria Ae Botti for dinner. We were seated in the back room of the restaurant next to a giant space heater. The waiter comes by after a few minutes and we ask him if it’s okay to order some drinks. After the drinks come back, we order our dishes: two plates of lobster, lasagna, pasta with mixed seafood, and the plate of the day (linguini with white clam sauce). The waiter soon comes back with lobster bibs for two of the girls, and he installs them on their necks as we sit in silence eating bread. Later on in the evening, our waiter will offer to turn on some music, comment that I am a lucky man with four young ladies at my table, and eventually grant me the exclusive pleasure of paying the check for my table, all in good fun. I really appreciate that he engaged with us and wanted us have a fun time at his restaurant.

THE GELATO VENDERS
Also on my last night in the city, my four friends and I went on a gelato hunt before returning to our residence on San Servolo. We came across an average looking gelato shop, and the vender smiled at us as we stared at his product, pondering if we should hold out for something better or just order a flavor from his limited selection. We spotted another gelato shop right across the alleyway and walked in, thinking we’d glance over the flavors to find our favorite. The vender of this other shop was standing outside his shop talking with some other Venetians, so once he saw us enter his shop, he quickly threw down his cigarette and got behind the counter. We told our first vender we were sorry because we decided to buy from his friend across the way instead. He encouraged us to have another look at his selection with a smile on his face, but we walked away anyway. Next thing we know, the first vender comes behind the counter of the other shop and pretends he’s the owner of the gelato, all still with a smile on his face. We all laugh as it is now apparent that these two vendors are, although competitors, friends at heart. The true owner of the shop with the greater selection goes on to discuss his gelato with us, explaining that he made all of it himself, offering us to taste any flavor we want, and showing us the giant Nutella jar he uses to make his Nutella gelato. These two vendors were clearly more interested in entertaining us then actually making a sale. It was neat to see that competition didn’t get in the way of friendship for these two Venetians.

THE BARTENDER
Venetian bartenders tended to be the friendliest of venders I encountered. One such bartender sensed my friend’s indecision when ordering his first Spritz, and decided to tease him. Lesson learned: if you are a guy and you want to order a Spritz, which is a must try in Venice, be sure to ask for Spritz con Select (the red one). If you decide to order the one with Aperol (the orange one), you may be the subject of a good laugh. Aperol Spritz is what young ladies drink.